This photograph is brought to you by a sentient artist.
There was no “prompt engineering” here. Only a photographer (that’s me!), a menacing bison,
and a long telephoto lens (to maintain a safe distance between us).
Perhaps there was a “prompt”, as in, inspiration for this photograph. There’s a somewhat
high probability I’d seen another like it prior to venturing out into the cold of
Yellowstone’s Northern Range as snow showers closed in on the area. I’ll admit I had this
photo in mind but can’t pinpoint the origin of that inspiration.
In that way, producing this art is not unlike the fledgling generative AI systems
dominating the media (and your feeds) these days. My work is contingent on layers of
inspiration and knowledge from mentors and other photographers I admire and respect.
But art is much deeper than the outcome. In those moments, when the shutter lifts and
photons of light begin to pour onto the sensor, a connection is made between the
photographer and their environment. The singe of the bitter cold on my cheek. The muffled
sounds of footprints in freshly fallen snow. Eyes locked with a shaggy-haired beast, a
relic of a not-too-distant past that filled these lands before folks who look like me
decided this land was better suited for railroads and interstates and pipelines.
The shutter closes. The moment is over. Captured. But the connection is made.
These moments are the transformative parts of art. These experiences
and the connections forged between ourselves and nature, the land, and its inhabitants
are the essence of what it means to be an artist. This vital meaning-making,
at least for now, is what sets us apart from the non-sentient matrix-multiplying algorithms.